Though Fukui remains calm in some arrangements, he switches gears on frenetic, seemingly improvised pieces like “Early Summer,” a fitting apex for the album. In the track “Early Summer,” his transition between chill melodies and slapping chord progressions culminates in a grand three minute solo, mirroring a lot of the grandiosity found in both Evans and Coltrane’s repertoire. Manufactured By Trio Records Distributed By Trio Records Made By Trio Electronics, Inc. Fukui ’s style is immediately reminiscent of Bill Evans, and his modality recalls to life the masterpieces of the John Coltrane Quartet. Ryo Fukui Scenery (1976, Vinyl) - Discogs Ryo Fukui Scenery More images Tracklist Hide Credits Companies, etc. Stream songs including 'It Could Happen To You', 'I Want To Talk About You' and more. The drums are thunderous, but at the same time expertly restrained, and his keyboard has an air of both swing and finesse.Įven in his original arrangements, the giants of jazz piano are channeled through the sounds of Scenery. ryo fukui has very distinct phrasing, and this trio captures a very distinct, nice sound. Listen to Scenery by Ryo Fukui on Apple Music. While “Autumn Leaves” is an oft-used piece for beginner jazz musicians to acquaint themselves with jazz harmony, Fukui still manages to create something original out of an otherwise rudimentary piece of music, adding an upbeat cadence and flair throughout the song. His rework of “Autumn Leaves” contains an eclectic, soulful introduction before he breaks into the slow, subdued jazz standard. In Scenery, Fukui provides listeners a refreshing take on some jazz classics, like “Willow Weep For Me,” “Autumn Leaves” and “I Want To Talk About You.” While he relies on the works of other musicians, he has an undoubtedly unique take on every song. Artists are free to stitch together a variety of styles and sounds effortlessly, affording them a significant level of creativity and improvisation. Jazz’s liberating nature separates it from other genres of music. When listening to Scenery, it’s hard not to think about the countless other potential works of art that the Western musical zeitgeist has failed to account for. Ryo Fukui had all the material to make a similar impression on the world of jazz with the modal masterpiece that is 1976 ’s Scenery, but among some of music ’ s biggest injustices, the lack of a global stage for musicians of Fukui’s ilk is one of the most unfortunate. Duke Ellington showed us the wonder and joy to be had with a big orchestra. Louis Armstrong helped us find fun in swing. Ryo Fukui had also just signed to Trio Records, and was preparing to record his debut album Scenery, which is a reminder of a remarkable musician. It was released in 2016, sadly the year Ryo Fukui passed away, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still happens to this day.Thelonious Monk taught us the beauty of improvisation. As September 1976 dawned, twenty-eight year old Ryo Fukui was living in Sapporo, where he led his own trio who were a familiar sight in local jazz clubs. Slowboat, full of breathtaking solos and exquisite moments of clarity, is another crucial piece in the career of one of the most fascinating jazzmen to ever grace the piano. ![]() Backed by longtime collaborators Takumi Awaya on bass, and Ittetsu Takemura on drums, Ryo Fukui flows through classics and originals with natural class, fluidity, and absolute precision, expressing a smooth balance between skills and heart. A Letter from Slowboat is a poetic, soulful, and honest love letter to Hokkaido, to Fukui's jazz club, and to endless hours of practicing artistry in a place called home. This is where Ryo Fukui spent the latter half of his career, playing again and again, welcoming peers for unforgettable sessions, and perfecting the craft he lived for: jazz. ![]() Known for his miraculous albums 1976's Scenery (WRJ 001CD/LP) and 1977's Mellow Dream (WRJ 002CD/LP), legendary Hokkaido pianist Ryo Fukui, with the help of his wife Yasuko, opened his very own jazz club in Sapporo in 1995, Slowboat. ![]() A beautiful bop adventure with two compositions Ryo Fukui wrote for his beloved Hokkaido region, the fan-favorite Nord and Voyage, as well as alternate versions of his classics Scenery and Mellow Dream. We Release Jazz announce the official reissue of Ryo Fukui's final album, the very personal contemporary jazz offering, A Letter from Slowboat, sourced from the original masters. Official reissue of Ryo Fukui’s only solo piano album recorded live, June 4-5, 1994 at The Lutheran Hall in Sapporo.
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